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October 25, 2013

Keyword: demonstrate | Listening to speakers during the Creative Time Summit today, a keyword emerged that was not so much repeated throughout the afternoon (like “vibrant” or “grassroots,” both of which deserve more attention and analysis) but present through the presentations’ modes and priorities: demonstrate.

Keyword: Placemaking | In his 2012 article, “Placemaking and the Politics of Belonging and Dis-Belonging,” Robert Bedoya writes: “What I’ve witness [sic] in the discussions and practices associated with Creative Placemaking is that they are tethered to a meaning of ‘place’ manifest in the built environment….” Further, Bedoya asserts, “its insufficiency lies in a lack of understanding that before you have places of belonging, you must feel you

Two Eiffel Towers stand in nearly identical proportions in vastly different locales. Their embodied histories and the meanings they signify are highly divergent. So are the symbolic and material relations to those who live in their vicinity. What does the Tianducheng’s Eiffel Tower replica connote?

“An artist organizes a political rally about a local issue. The project, which is supported by a local arts center in a medium-size city, fails to attract many local residents; only a couple dozen people show up, most of whom work at the arts center. The event is documented on video and presented as part of an exhibition.

I think it is so interesting to see Creative Time take questions of artistic social engagement to issues of place and creativity in urban and regional planning.  In my own work, I find that these streams of thinking and making are strangely un-aligned, often talking past each other.  Socially-engaged art expands the parameters of visual and performing art practice.  Sometimes this work seeks to explore relationality as such; sometimes this work is connected to a fairly explicit social justice mission.  Meanwhile, urban arts planning and placemaking uses a language that sounds fami

Two words that I hate: placemaking and vibrant. Yet I constantly hear these buzzwords in urban planning and design, public art and arts funding, often paired, implying that the first invariably leads to the second. Although I would be happy to blame Richard Florida’s “Creative Class” thesis (see my previous ARC keyword) for popularizing them, this definition of “successful” urban spaces has a much longer history. Both words can be traced back to the 1960s, a key moment in American urbanism, when a new set of values appeared that inverted the dominant view of cities.

October 12, 2013

Keyword: Tactics | I propose that we consider the work of Donna Haraway on interspecies relations as a viable theoretical framework from which to elaborate strategies. Haraway defines “the world as a knot in motion” in which the interactions between species at all levels shape the world. I find that this perspective can provide a great tactical advantage: we can see ourselves within a pattern of relation. This calibrates our perception of our role in this planet.

Keyword: Equity | Choosing a term buried within one of the summit themes, inequity, I choose to isolate part of that word for the keyword “equity.” In light of the current massive world debt bomb, preceded and/or partially precipitated by the financial meltdown, derivatives explosion and off budget U.S. war spending, the term equity creates an association first with financial equities (stock equities,) home equity (depleted,) and secondarily to the concept of equity in human terms: fairness.

Keyword: Inequities | “Can inequities be a path to equity in the society?” is a question on my mind when I think of the movement among some of the most affluent people in the world, allocating large portions of their personal funds toward philanthropic works and businesses. 

On October 12, the Arts Research Center at UC Berkeley and the Graduate Program in Curatorial Practice at the California College of the Arts partnered to host a live-streaming of the Creative Time Summit. This annual conference in New York brings together cultural producers–including artists, critics, writers, and curators–to discuss how their work engages pressing issues affecting our world. Summit themes this year included Inequities, Occupations, Making, and Tactics.

Keyword: Creativity

Keyword: Occupations | What is an Occupation? The word’s connotations are phenomenological, political and cultural in their scope. The Occupy movement has come to symbolize widespread dissatisfaction with the corporatization of democracy throughout the Western World. This dissatisfaction is no doubt shared by many in the Global South, particularly in the large democracies of Brazil and India.

Keyword: Making | This word– MAKING — appears to be the most neutral of Creative Time’s keywords this year.  But I think I want to use it to reflect upon the not entirely neutral factors that prompt some artists, critics, art administrators, and activist citizens to feel hailed by the Creative Time Summit while others barely know that it exists.  The requisite quips and critiques aside, this 800-person gathering–one that reaches a global viewing audience in the tens of thousands– is an achievement for those who happen to believe that art has something to do with social engagement.

Keyword: Expectations | I have been thinking a lot about expectations lately- as a mutable, sliding scale barometer for how things are going. They seem to be an ever present but difficult to acknowledge measuring device used by all on a daily basis. Are they being met, exceeded, upended or not met at all. What can we expect as a public?

Keyword: Creativity| I recently read an interesting paper that included a short description of an experiment.  People who were asked to recall three recent creative experiences before participating showed a reduced tendency to view others stereotypically versus those that were not asked to recall recent creative experiences.  I found this very interesting especially compared with other possibilities presented in the experiment including ones designed to shift attitudes, i.e. when I think about smoking I will chew gum.

Keyword: Making | Sweet etymology reveals that the root of Poet is a Maker. In the historical sweep of what we say and do, this linguistic link from the practical to the lyrical, embraces our survival, management, creativity, resourcefulness, connections, communications and all that jazz broadly labeled “culture”.  Art, as everyday ecstasy, ingenuity, occupation and pre-occupation, is a basic activity that, like language, belongs to all, but alas exercised in a inexhaustible variety of ways, delicious to disruptive, dismal to dynamic.

Keyword: Occupation | Occupation connotes not only space, but also work.  The Occupy “Movement” reminds us of the former, where groups enter a public space and live, exist, eat, celebrate, agitate, and protest.  Occupation also reminds us of work, vocation, and an identity – what’s your occupation? what do you do?  I’m curious how these two connotations intertwine.  Of course, class disparities between different vocations or the have/have nots of an occupation lead to the current iterations of the Occupation of space.  However, how does the movement itself become an occupation itself?

On Inequities, Occupations, Making, or Tactic | As the anniversary of the start of the Occupy movement rolls around and becomes historicized in exhibitions (at least at YBCA, San Francisco) a feeling of overwhelm overcomes me, which is almost, but not quite hopelessness. There is something overwhelming about the idea of shifting past the initial enthusiasm of utopian possibilities, the desires to increase freedoms. And I start to wonder as a good idea gets older how do we push on through inertia, the uphill struggle to sustain, establish and forge possibilities?

October 8, 2013

Keyword: Bridges | Raquel Gutiérrez invites us to map the room around us: who is here and how long did it take us all to get to 2150 Allston Way. For a moment, we acknowledged the morning’s journey that brought us to this place, and maybe even the bridges we had to cross to get here.

Keyword: Thoughts on Creativity | I’m participating in an Americans for the Arts Creative Placemaking webinar series that defines creative placemaking as, “the intersection of when place making by design has art and creativity at the forefront.” This definition presumes that—by building partnerships and crafting policy that addresses defining places with outcomes that include creative, financial, and social success—you must also place creativity and art making in the hands of artists.