Upcoming Event |Kinetic Contemplation: Raqs Media Collective in Medias Res
Co-sponsored by the Arts Research Center and the University of California Humanities Research Institute, Institute for South Asia Studies, and the English and Art Practice Departments
Raqs Media Collective (Monica Narula, Jeebesh Bagchi & Shuddhabrata Sengupta) follows its self-declared imperative of ‘kinetic contemplation’ to produce a trajectory that is restless in its forms and methods, yet concise with the infra procedures that it invents. The collective makes contemporary art, edits books, curates exhibitions, and stages situations. It has collaborated with architects, computer programmers, writers, curators, and theatre directors, and has made films. It co-founded Sarai—the inter-disciplinary and incubatory space at the Centre for the Study of Developing Societies, Delhi—in 2001, where it initiated processes that have left deep impact on contemporary culture in India.
Exhibitions curated by Raqs include ‘The Rest of Now’ (Manifesta 7, Bolzano, 2008), Sarai Reader 09 (Gurugram, 2012-13), INSERT2014 (New Delhi, 2014) and ‘Why Not Ask Again’ (Shanghai Biennale 2016-2017). Their work has been exhibited at Documenta, the Venice, Sao Paulo, Manifesta, Istanbul, Shanghai, Sydney and Taipei Biennales. Their prospective, ‘With an Untimely Calendar’ was held at the National Gallery of Modern Art, New Delhi, in 2014-2015. Other solo shows at museums include at the Isabella Gardner Museum (Boston 2012), CA2M (Madrid 2014), MUAC (Mexico City 2015), Tate Exchange (London 2016), Foundacion Proa (Buenos Aires 2015), Laumeier Sculpture Park (St Louis 2016), and the Whitworth Art Gallery (Manchester 2017).
For more information, see here.
ARC awarded UCHRI Funds for 2018-2019 Programming for “Arts of Critique”
ARC’s 2018-19 program will have a special focus on the critical potential of arts from the Global South, and is a collaboration between ARC Interim Director Natalia Brizuela (Film & Media and Spanish & Portuguese), Tarek Elhaik (Anthropology, UC Davis), Anneka Lenssen (History of Art), Leigh Raiford (African American Studies) and Poulomi Saha (English), supported by a generous grant from The University of California Humanities Research Institute (UCHRI).
The year’s investigations on art and critique from/in the Global South will take off with a Workshop in Mexico City (September 6-8), co-convened by Natalia Brizuela and Elena Tzelepis (University of Thessaly, Volos, Greece), organized through the International Consortium of Critical Theory Programs (ICCTP) with the support of the Andrew W. Mellon Foundation. The Mexico City workshop will take place at the Museo Universitario de Arte Contemporáneo (MUAC) at the UNAM. More details on the Mexico City workshop can be found here.
Now Online: In Terms of Performance, a keywords anthology for contemporary cultural practice
In Terms of Performance is a keywords anthology designed to provoke discovery and generate shared literacies across disciplines. It features essays and interviews from more than 50 prominent artists, curators, presenters, and scholars who reflect on common yet contested terms in contemporary cultural practice. The publication is produced by The Pew Center for Arts & Heritage, Philadelphia and the Arts Research Center and is co-edited by Shannon Jackson, director of the Arts Research Center, and Paula Marincola, executive director of the Pew Center. To read the free publication online, please see here.