Linda Williams taught courses on popular moving-image genres (pornography, melodrama, and “body genres” of all sorts). She has also taught courses on Oscar Micheaux and Spike Lee, Luis Bunuel and Pedro Almodovar, melodrama, film theory, selected “sex genres,” and The Wire. Her books include a psychoanalytic study of Surrealist cinema, Figures of Desire (1981), a co-edited volume of feminist film criticism (Re-vision, 1984), an edited volume on film spectatorship, Viewing Positions (1993) and Reinventing Film Studies (co-edited with Christine Gledhill, 2000). In 1989 she published a study of pornographic film entitled Hard Core: Power, Pleasure and the Frenzy of the Visible (second edition 1999). This study of moving-image pornography looks seriously at the history and form of an enormously popular genre. In 1999 Williams received a Guggenheim Fellowship for research on her 2001 Playing the Race Card: Melodramas of Black and White, from Uncle Tom to O.J. Simpson (2001, Princeton)–an analysis of racial melodrama spanning the 19th and 20th centuries of American culture. She has also edited a collection of essays on pornography, Porn Studies, featuring work by many U.C. Berkeley graduate students (Duke, 2004). Her most recent book is Screening Sex (Duke, 2008), a history of the revelation and concealment of sex at the movies. She received Berkeley’s Distinguished Teaching Award in 2004 and in 2011 was appointed Faculty Research Lecturer. In 2014 she released On "The Wire", a book on HBO’s series The Wire.
Linda is one of ARC's Affiliate Emeriti.