Day With(Out) Art: Red Reminds Me

December 1, 2024

Day With(Out) Art:
Red Reminds Me...

December 1, 2024 - All Day

Online Video Program

Presented by Visual AIDS and partnered with museums, galleries, universities, and organizations around the world

The Arts Research Center is proud to partner with Visual AIDS for Day With(out) Art 2024 by presenting a video program highlighting strategies of community care within the ongoing HIV epidemic. This is the 7th year the Arts Research Center has partnered with Visual AIDS to commemorate World AIDS Day.

ONLINE VIDEO GUIDE HERE

Day With(out) Art 2024: Red Reminds Me... [English]

Red Reminds Me... presents seven new videos reflecting the emotional spectrum of living with HIV today, featuring work by Gian Cruz (Philippines), Milko Delgado (Panama), Imani Harrington (USA), David Oscar Harvey (USA), Mariana Iacono and Juan De La Mar (Argentina/Colombia), Nixie (Belgium), and Vasilios Papapitsios (USA). 1hr run-time.

Join Visual AIDS for Day With(out) Art 2024

Since 1989, Visual AIDS has mobilized art institutions for Day With(out) Art, a day of mourning and action that uses art to respond to the ongoing HIV and AIDS crisis. Every year, Visual AIDS creates and distributes videos by artists and activists to universities, museums, art institutions, and AIDS organizations to be screened on or around December 1st, World AIDS Day. Day With(out) Art is a global event, screening in over 150 institutions, 27 countries, and translated in 12 languages.

It’s time for new images

As the organization that gave birth to the red ribbon, we know how powerful symbols and images can be. Images from the 80s and 90s of impassioned protests and grieving communities delivering farewells define our understanding of AIDS. While these histories should continue to be uplifted, HIV/AIDS is not solely relegated to the past, and there are numerous stories waiting to be told today that redefine our ingrained beliefs. Contemporary artists living with HIV are leading conversations around public health and providing a new visual vocabulary to speak to the present experience of HIV, ongoing pandemics, and chronic illness more broadly.

RED REMINDS ME...

For Day With(out) Art 2024, Visual AIDS announces Red Reminds Me..., a program of seven videos reflecting the emotional spectrum of living with HIV today. Through the red ribbon and other visuals, HIV and AIDS has been long associated with the color red and its connotations—blood, pain, tragedy, and anger. Red Reminds Me... invites viewers to consider a complex range of images and feelings surrounding HIV, from eroticism and intimacy, mothering and kinship, luck and chance, memory and haunting. The commissioned artists deploy parody, melodrama, theater, irony, and horror to build a new vocabulary for representing HIV today.

The title is drawn from the words of Stacy Jennings, an activist, poet, and long-term survivor with HIV, who writes: “Red reminds me, red reminds me, red reminds me...to be free.” Linking “red” to freedom, Jennings flips the usual connotations of the color and offers a new way of thinking about the complexity of living with HIV. Just as a prism bends and refracts light, Red Reminds Me... expands the emotional spectrum of living with HIV. It shows us that while grief, tragedy, and anger define parts of the epidemic, the full picture contains deep, nuanced, and sometimes contradictory feelings.

Gian Cruz, Dear Kwong Chi (Philippines)

In Dear Kwong Chi, Cruz creates a video letter to the late artist Tseng Kwong Chi, drawing from the experience of living with HIV in diaspora. Across continents and decades, Kwong Chi’s legacy acts as an anchor for Cruz amongst limited representations of Asian narratives in AIDS histories.

Milko Delgado, El Club del SIDA (Panama)

Taking its title from a sensational telenovela episode, El Club del SIDA cycles through a lifetime of heavily stigmatizing images about HIV and AIDS. Delgado plays with multiple aesthetics—documentary, horror, comedy—to explore the various relationships he has had with AIDS over the course of his life.

Imani Harrington, Age of Knowing / Scraped (United States)

A professor is asked to help a young child who has been Scraped and is soon faced with a moral dilemma that either exposes the truth or upholds a lie. With a nostalgic aesthetic, Age of Knowing / Scraped traces memories of an AIDS past that continue to haunt the present.

David Oscar Harvey, Ambivalence: On HIV & Luck (United States)

Ambivalence: On HIV & Luck tackles the disorienting experience of existing with a manageable condition that our present culture insists on representing in terms of its bleak past. Interested in figuring HIV differently, the film presents a series of visual puns merging the iconography of HIV and AIDS with popular symbols of luck.

Mariana Iacono and Juan De La Mar, El VIH se enamoró de mi (HIV Fell in Love With Me), (Argentina/Colombia)

HIV Fell in Love With Me tells the story of a woman with HIV embracing her sexuality and reconnecting with her pleasure. Filmed with an erotic aesthetic, the video reflects a pursuit towards sexual justice and autonomy for women living with HIV.

Nixie, it’s giving (Belgium)

Through home videos, archival footage and fantasy landscapes, it’s giving explores the connection between caregiving for a child and caregiving for a dying community. What does it mean for an HIV+ person, who carries the history and present of the AIDS-crisis in their DNA, to foster new life?

Vasilios Papapitsios, PARAPRONOIA (United States)

Papapitsios describes PARAPRONOIA as a “meditation on how we can(not) heal in the environments that make us sick, from the perspective of an infected neurodivergent faggot.” Combining auto-fiction with magical realism, Papapitsios humorously reimagines narratives around mental health and chronic illness.

Topics

Curatorial topic page, Film & Media topic page, Visual Arts topic page, Activism topic page

Day With(Out) Art: Red Reminds Me