*NOTE: The Art+Science program is on hiatus indefinitely. Additional resources and options are located below our contact info.
The Arts Research Center (ARC), in partnership with the Center for Science, Technology, Medicine & Society (CSTMS), hosts an artist-in-residence program that focuses on nurturing exchanges between art, design, technology, science, and engineering at UC Berkeley, in the Bay Area, and across the region. The Center for Science, Technology, Medicine & Society is a research unit at UC Berkeley dedicated to promoting rigorous interdisciplinary research based on the conviction that the pressing problems of our time are simultaneously scientific and social, technological and political, ethical and economic. The Arts Research Center is a think tank for the arts with over 70 affiliate faculty. It acts as a hub and a meeting place, and provides a space for reflection where artists, scholars, curators, and civic arts leaders from a variety of disciplines can gather and learn from one another.
The Art+Science in Residence program will host artists who are drawn to collaboration, interested in interdisciplinary artistic, scientific and technological dialogue, and open to developing new working methods and research techniques. Projects can take myriad forms, such as multimedia performances, theatrical productions, animated film making, immersive installations, walking tours, community based research and online projects. We welcome diverse interpretations of our core themes, ‘art’ and ‘science.’ The program embeds artists within the unique culture of the Center and UC Berkeley at large. It affords access to a dynamic and diverse community of scholars, visitors, staff, and provides opportunities for exposure to a broad public.
While the two Centers accommodate different scheduling needs, residencies typically unfold over a period of up to one year and include both an exploratory and project-development phase. If you are interested in participating in the program, please contact us at our email address, listed below.
Interested in becoming a visiting student researcher or visiting scholar at Berkeley? Please explore the Visiting Scholar & Postdoc Affairs website (here) for resources, research faculty and departments, and open postdoc positions.
CSTMS has an active and vital visiting student researcher and visiting scholar program aligned with their Center’s research themes, open on a rolling basis. Please visit their website for more information, here.
ARC is currently not accepting visiting student researcher or visiting scholar applications.
PAST ART+SCIENCE RESIDENCIES
2018-2019: Susannah Sayler and Ed Morris
Susannah Sayler and Edward Morris (Sayler / Morris) work with photography, video, writing, installation and open source projects. A primary concern of their work is to engage both contemporary efforts to develop ecological consciousness and the opportunities that art offers for social movements. In 2006 they co-founded The Canary Project – a studio that produces visual media and artwork that deepen public understanding of climate change and other ecological issues. Sayler/Morris have exhibited internationally at many venues, including both science and art museums.
Some past exhibitions have featured at the Massachusetts Museum of Contemporary Art, the Harvard Museum of Natural History, the Nevada Museum of Art, the Cooper Hewitt National Design Museum, the North Carolina Museum of Art, the Kunsthal in Rotterdam, the Museum of Science and Industry in Chicago. They have been awarded the David Brower Center’s Art / Act Award (2016), the Robert Rauschenberg Foundation Residency (2015), the Smithsonian Artist Research Fellowship (2014) the Loeb Fellowship at Harvard University’s Graduate School of Design (2009). They are currently teaching in the Transmedia Department at Syracuse University, where they co-founded The Canary Lab. Their archives are collected by the Nevada Museum of Art / Reno, Center for Art and Environment.
The Project: Water Gold Soil: The American River
Water Gold Soil: The American River tells the story of a single flow of water in present-day California, from origin point to end-use. The project is both a form of historiography and a form of allegory – using this swath of geography to investigate our present Age of Extraction. With Water Gold Soil, the artists examine this less visible, technological reality of California rivers by following a single flow of water – the South Fork of the American River – from its origin near Echo Summit in the Sierra Nevada mountains to its end use in the agricultural economy in California’s Central Valley. This is the flow of water where gold was first discovered in California, and the project explores how the state of California remains haunted by its violent and colonial beginnings of the state of California.
The project consists of an ongoing assembly of original photographic and video works, archival images, writing, maps and other media. All of the elements are combined to produce installations that take the viewer through a series of conceptual frameworks. The diversity of form and materials in the project stems from an appreciation for the challenges of representing the nexus of relationships–ecological, political, and historical–that make up a river. A book of the project will be published in spring 2019.
While at Berkeley, the artists will continue to investigate the way ideology informs the use of technology in water management and allocation. They will research current technological innovations that help prepare California for future water shortages, particularly in light of climate change and increased demand. They will also research what ways of seeing the world might lead to a more equitable and sustainable use of existing and emerging water technologies (e.g. the commons, indigenous philosophies, critiques of neo-liberalism, history of water law). They are preparing additional exhibitions of the work to follow the book, as well as a related made-for-TV documentary series that they are producing along with Paul D. Miller (aka DJ Spooky) and director Stefan Schaefer.
Bull.Miletic were the inaugural Art + Science Artists-in-Residence at UC Berkeley. Piloted in Fall 2017 and co-sponsored by the Arts Research Center and Center for Science, Technology, Medicine & Society, the residence featured artist duo Bull.Miletic: Synne T. Bull (University of Oslo, Norway) and Dragan Miletic (Norwegian University of Science and Technology). While on campus, they worked on a joint artistic research project on the aerial view in motion at the Department for Media and Communication, University of Oslo and Norwegian University of Science and Technology.
The Project: The Aerial View in Motion
For the last two years, Bull.Miletic has been engaged in The Aerial View in Motion, an artistic research project facilitated by Norwegian Artistic Research Programme. The project focuses on the emergence of a new visual paradigm caused by the recent surge of aerial imaging technologies such as satellites and drones. At UC Berkeley, Bull.Miletic will be working on the concluding segment of this project, which will focus on exploring a variety of scientific, cultural, and historic visualizations of earth in a new media installation. Taking the Pale Blue Dot and Buckminster Fuller’s notion of Spaceship Earth as a starting point, their intention during their residency is to explore the relationships between the “objective” ortophotomapped representation of the earth through visualized data sets and the affective volume-image of our planet as a vibrant ecosystem that “spins in space traveling 60,000 miles an hour, in the midst of rich non-human life as well as the intensive relations to other planets and the Sun”. The resulting artwork is scheduled to premiere at the 2018 Meta.Morf Biennial for Art & Technology.
As part of their residency, Bull.Miletic gave a lecture at Berkeley Arts + Design Monday Nights Lecture Series hosted at the Berkeley Art Museum and Pacific Film Archive. Their full lecture is archived here.