Professor, Modern and Contemporary Art
Julia Bryan-Wilson is Professor of Modern and Contemporary Art at the University of California, Berkeley. Her research interests include questions of artistic labor, feminism, queer theory, fabrication/production, performance, visual culture of the nuclear age, photography, and textile handicraft. She is the author of Art Workers: Radical Practice in the Vietnam War Era (U California Press, 2009), Art in the Making: Artists and their Materials from the Studio to Crowdsourcing (with Glenn Adamson, Thames & Hudson, 2016), and Fray: Art and Textile Politics (U Chicago, 2017). She is the editor of Robert Morris: October Files (MIT, 2013), and she has co-edited two special issues of journals: “Visual Activism” for the Journal of Visual Culture (with Jennifer González and Dominic Willsdon) and “Time Zones: Durational Art and its Contexts” for Representations (with Shannon Jackson). With Andrea Andersson, Bryan-Wilson co-curated the exhibition Cecilia Vicuña: About to Happen, which travels to the Berkeley Art Museum in fall 2018. She is currently writing a book about Louise Nevelson.
A scholar and critic, Bryan-Wilson has written about artists such Laylah Ali, Ida Applebroog, Sadie Benning, Cheryl Dunye, Simone Forti, Cristóbal Lehyt, Ana Mendieta, Yvonne Rainer, Yoko Ono, Harmony Hammond, Sharon Hayes, and Anne Wilson, in publications that include Art Bulletin, Artforum, The Craft Reader, Grey Room, The Textiles Reader, October, The Journal of Modern Craft, and many exhibition catalogs. Her article “Invisible Products” received the 2013 Art Journal award, and she was an inaugural recipient of the Creative Capital/Andy Warhol Arts Writers Grant. She has held fellowships from the Center for the Advanced Study in the Visual Arts, the Getty Research Institute, the Clark Art Institute, the Henry Moore Institute, the Smithsonian Archives of American Art, the Townsend Center for the Humanities, the Mellon Foundation, and the Center for Craft, Creativity and Design.
Lauren Pearson received her B.A. from New York University, and her M.A. from University College, London, both in the History of Contemporary Art. Over the past thirteen years, she has held a variety of posts as a curator, programmer, and arts administrator. Working with ARC since 2013, Lauren has co-produced events such as Valuing Labor in the Arts (2014), a 10-day Artist-in-Residence with Rick Lowe (2014), The Impact in the Arts Think Tank (2014), Questioning Aesthetics Symposium (2015), Open Engagement Pre-conference | CROSS-SECTOR (2016), and the Arts + Design Mondays Nights a@ BAMPFA (2017). Previously, Lauren was the Associate Director of the Arts Initiative at Columbia University, a platform developed to integrate arts activities and to foster new artistic collaborations throughout the Columbia campus, and has also served as the Communications Director for The Armory Show, managing all aspects of its communication and public relations in New York as well as for The Armory’s “Art Platform” in Los Angeles. Her personal research focuses on ecology and contemporary art, and the visual culture of frontierism/exploration.
Graduate Student Researcher, Arts Research Center