Visual Arts

Beatriz da Costa

Interdisciplinary Artist, Tactical Media Practitioner

Beatriz da Costa (1974 – 2012) was an interdisciplinary artist and tactical media practitioner working at the intersection of contemporary art, science, engineering, and politics. Her work takes the form of public participatory interventions, locative media, conceptual tool building, and critical writing. Issues addressed in her work include the use of emergent technologies to investigate context-specific configurations of social injustice, the politics of transgenic organisms, and the social repercussions of ubiquitous surveillance technologies. Da Costa made...

Susanne Cockrell

Artist, Educator

Susanne Cockrell is an artist and educator who lives and works in the San Francisco Bay Area. Her social and documentary projects consider the ways people live into specific places over time, amplifying the emergent choreography of landscape, shared experience, and participatory actions in shaping collective and civic life. Early research in experimental dance, environmental studies, and eastern philosophy continue to shape her craft with an attention to ephemeral encounters and poetics of daily life. Fieldfaring Projects, in collaboration with Ted Purves from...

Making Time at Human Resources: Aandrea Stang

February 22, 2012
Aandrea Stang
Since 2008 I have been working with a team of colleagues at The Museum of Contemporary Art, Los Angeles (MOCA) to design and organize the museum’s performative/social practice program, Engagement Party. Engagement Party’s statement is below: Engagement Party offers Southern California–based artist collectives and collaborators an opportunity to make new artworks, interacting with and exploring MOCA and its resources in unexpected ways. Invited to work on site for three months, the artists may employ any medium, discipline, or strategy to create performances, workshops, screenings,...

Sierra Edd

2023/24 ARC Fellow - Indigenous Poetics Lab

Sierra Edd (she / her) is a Diné writer and artist who grew up in Durango, Colorado. She is Tł’ógi, born for the Kinłichii’nii people. She is currently an Ethnic Studies doctoral student and resides in Ohlone Territory. Her research examines the political significance of listening, creating, and connecting through Indigenous music across various U.S. contexts. Recently, she has been collaborating and working on zine projects (“...

Aruna D’Souza in Conversation with Al-An deSouza

September 21, 2018
Aruna D’Souza in Conversation with Al-An deSouza Friday, September 21, 2018
5:00-7:00pm
Maude Fife Room, Room 315, Wheeler Hall

Watch the recording here or listen here!

Co-sponsored by the Arts Research Center and the University of California Humanities Research Institute, the...

Anne Walsh

2011 & 2019 ARC Fellow

Anne Walsh is a maker of performance, video, sound, and text works, many of which re-mediate the works and lives of other artists and her own family. Walsh’s book Hello Leonora, Soy Anne Walsh (2019, no place press/MIT Press) epitomizes the aggressively indexical, personal, and analytical nature of her practice: it is a visual and written ‘adaptation’ of Leonora Carrington’s 1950 fantastical feminist novella The Hearing Trumpet. Other recent adaptations include Walsh’s live performances with poet Jocelyn Saidenberg of Camille Roy’s play Sometimes Dead...

Anneka Lenssen

2019 ARC Fellow

Anneka Lenssen specializes in modern painting and contemporary visual practices, with a focus on the cultural politics of the Middle East. Her research examines problems of artistic representation in relation to the globalizing imaginaries of empire, nationalism, communism, decolonization, and Third World humanism.

She is the author of Beautiful Agitation: Modern Painting and Politics in Syria (UC Press, 2020), which won the 2021 Syrian Studies Association Best Book Prize and was shortlisted for the MSA Book Prize. She is also co-editor, with colleagues Nada...

Kenyatta A.C. Hinkle

2019 ARC Fellow

Kenyatta A.C. Hinkle (Olomidara Yaya) is a multidisciplinary visual artist, writer, performer and healer. Her practice fluctuates between collaborations and participatory projects with alternative gallery spaces within various communities to projects that are intimate and based upon her private experiences in relationship to historical events and contexts. Her practice serves as a bridge, merging the intersections of art, activism, spirituality and healing as tools for retrieval. Her healing practice consists of being a catalyst for retrieval through the usage of reiki,...

Dr. Ines Hernandez-Avila

2023 ARC Fellow - Poetry & the Senses

Professor Hernandez-Avila is Niimiipuu/Nez Perce, of Chief Joseph’s band, enrolled on the Colville Reservation, Washington, on her mother’s side, and Tejana (and Mexican Indigenous) on her father’s side. A scholar, poet, and visual artist, her research and teaching focus on contemporary Indigenous literature of the Americas, and Indigenous religious traditions. She is a Ford Foundation Fellow at the doctoral and postdoctoral levels, and a member of the Society of Senior Ford Fellows. She is one of the six founders of the Native American and Indigenous Studies...

On “Soul of a Nation: Art in the Age of Black Power”

November 8, 2019
On “Soul of a Nation: Art in the Age of Black Power” Curator Mark Godfrey, Tate Modern, in conversation with Kenyatta A.C. Hinkle Friday, November 8, 2019
4:00-6:00pm
David Brower Center, 2150 Allston Way, Downtown Berkeley

Watch the recording here!

Please note, this event is free and open to the public. Seating is first come, first served (no tickets). Co-sponsored by The Arts Research Center and the Department of Art Practice.