Scholar

Guo-Juin Hong is Andrew W. Mellon Associate Professor of Chinese Cultural Studies at Duke University. Hong has published articles on such topics as early Shanghai cinema, new Taiwan cinema, documentary film, and queer visual culture. His essay on colonial modernity in 1930s Shanghai was the winner of the 2009 Katherine Kovacs Essay Award, Honorable Mention, and his dissertation received the 2005 Dissertation of the Year Award, Honorable Mention, both by the Society for Cinema and Media Studies. Hong teaches courses on film theory and historiography, Chinese-language...

In Walter Hood's teaching and practice, he is committed to the development of environments which reflect their place and time specifically through how people inhabit various geographies. Our interest in the re-construction of urban landscapes seeks to build palimpsest by developing new elements, spatial forms and objects which validate their existing familiar context. The Studio utilizes ‘research’ in lieu of standardized analytical practices. Project research includes archival and oral histories, physical, environmental and social patterns and practices, to uncover...

Natalia Brizuela is a Professor of Spanish & Portuguese and Film & Media at UC Berkeley. Her work focuses on photography, film and contemporary art, critical theory and aesthetics of both Spanish America and Brazil. She is the author of two books on photography. The first, Fotografia e Império. Paisagens para um Brasil Moderno (Cia das Letras, 2012) is a study of 19th Century photography in Brasil in its relationship to modern state formation, nationalism, modernization and race. The second, Depois da fotografia. Uma literatura fora de si (Rocco, 2014) is a study...

The first decade of Eric Hayot's career mainly focused on the ways in which China (and a variety of correlates each working to undermine the geographic, cultural, or political singularity of the word “China”) have affected the intellectual, literary, and cultural history of the West (similarly undermined). His first book, Chinese Dreams (Michigan, 2004), centers on the politics of translation and theatrical representation, attending to examples in English, German, and French. Hayot's second book, The Hypothetical Mandarin: Sympathy, Modernity, and Chinese Pain (Oxford,...