Music

Ellen Hargis

Soprano specializing in Early Music

Soprano Ellen Hargis is one of America’s premier early music singers, specializing in repertoire ranging from ballads to opera and oratorio. She has worked with many of the foremost period music conductors of the world, including Andrew Parrott, Gustav Leonhardt, Daniel Harding, Paul Goodwin, John Scott, Monica Huggett, Jane Glover, Nicholas Kraemer, Harry Bickett, Simon Preston, Paul Hillier, Craig Smith, and Jeffery Thomas. She has performed with The Saint Paul Chamber Orchestra, The Virginia Symphony, Washington Choral Arts Society, Long Beach Opera, CBC Radio Orchestra...

Jocelyne Guilbault

Ethnomusicologist and Professor of Popular Music Studies at UC Berkeley

Jocelyne Guilbault is an ethnomusicologist and popular music studies scholar teaching at Berkeley since 1999. From 1984 to 1998 Guilbault taught at the University of Ottawa. Her educational background includes bachelor’s and master’s degrees from the Université de Montréal in her native Quebec, Canada, and a Ph.D. from the University of Michigan.

Stressing a multidisciplinary approach, her research and teaching engages critical theoretical and methodological issues in ethnomusicology and popular music studies. She locates these issues in the scholarly intersections...

Melanie Gudesblatt

Spring 2016 Graudate Fellow

Melanie Gudesblatt is a Lecturer in Music History and Literature at the San Francisco Conservatory, having received her Ph.D. from the University of California, Berkeley in 2019. Before coming to Berkeley, she earned an M.Mus. from King’s College London (2012) and a B.A. in Music from Cornell University (2009). Her research examines the relationship between vocal sound and metaphorical conceptions of voice around 1900, with special focus on how Euro-American listening habits shaped the processes by which more abstract notions of voice were accorded political and social...

John Gromada

2008-2009 Artist-in-Residence

John Gromada is a multi-award winning, pioneering sound designer and composer, with a career spannning more than three decades. He has composed scores for 40+ critically acclaimed Broadway productions and hundreds off- Broadway and at major regional theatres across the nation and abroad. Highly sought as a collaborator for sound designs that combine original music, abstract sound, and found music to support detailed narratives, Gromada was nominated for a Tony Award for his score and sound design for the Trip to Bountiful, starring Cicely Tyson. Recipient of three Drama...

Rama Gottfried

2014 ARC Fellow

Rama Gottfried's recent works aim to increase our sensitivity to the web of relations that connect humans and the other animate and inanimate entities that surround us. His pieces are conceived as scenographic worlds — bodies with voices that move and interact in physical and immaterial environments, constructed from the medias of acoustic and electronic instrumental performance, puppet-, object-, material-theater, live-cinema, and the site-specific performance context. Brought to life through the collaborative actions of human and nonhuman performers, the works attempt to...

John Granzow

Chair of Performing Arts Technology & Associate Professor of Music at University of Michigan

John Granzow applies the latest manufacturing methods to both scientific and musical instrument design. After completing a masters of science in psychoacoustics, he attended Stanford University for his PhD in computer-based music theory and acoustics. Granzow started and instructed the 3d Printing for Acoustics workshop at the Centre for Computer Research in Music and Acoustics. He attended residencies at the Banff Centre and the Cité Internationale des Arts in Paris. His research focuses on computer-aided design, analysis, and fabrication for new musical...

Robert Fink

Professor of Musicology and Humanities at UCLA

Robert Fink is Professor of Musicology and Chair of Music Industry Programs at UCLA, and serves as Associate Dean for Academic Affairs in the Alpert School of Music. Trained as a music theorist and musicologist, his primary areas of interest include musical analysis, avant-garde and minimal music, popular music studies, timbre and rhythm in music, and the history of electronic dance music. He has published widely on contemporary and popular music in academic journals, and is the author of Repeating Ourselves, a 2005 study of American minimal...

Lars Mørch Finborud

Art Historian, Former Curator at Henie-Onstad Art Centre, Record Label Owner

Lars Mørch Finborud (1980, Oslo) is an art historian and worked as a curator at Henie-Onstad Art Centre from 2008-2018. Finborud runs the record labels Plastic Strip Press and O. Gudmundsen Minde, which specialize in releasing archive releases side by side with new recordings within the genres noise, jazz, electronic music, soul and hip-...

Nordic Time Zones: Time-based art across disciplines in the Northern Landscape

March 26, 2014
Nordic Time Zones Time-based art across disciplines in the Northern Landscape
 Wednesday, March 26, 2014 Henie Onstad Kunstsenter, Oslo

(Closed roundtable, by invitation only)

Everardo (Ever) Reyes

2023/24 ARC Fellow - Indigenous Poetics Lab

Everardo (Ever) Reyes (he / him & Rarámuri descent and Chicanx) is a Ph.D. candidate in Ethnomusicology. He is a multi-instrumental musician and songwriter who enjoys the possibilities that improvisation provides. His research focuses on the intersections between music, social movements, and Indigenous self-determination. Ever is also a co-creator of the Indigenous Sound Studies working group, which is supported by the Center of Race and Gender and the University of California Berkeley.