Love Poems: Writing Workshop with Margaret Ross

photo of woman with brown hair against a blue sky

Margaret Ross

February 6, 2026

Love Poems: Writing Workshop
with Margaret Ross
 

Friday, Feb 6, 2026
1pm – 3pm
Hearst Field Annex D23 (map)


UC Berkeley is lucky to have poet Margaret Ross in residence as the Holloway Lecturer in Poetry for the spring 2026 semester. She will be leading a two-hour poetry workshop at the Arts Research Center on Feb 6, 2026, free & open to Berkeley students. Application is first-come, first-served. 

WORKSHOP & WAITING LIST FULL!

We will contact you by January 30 to let you know if you are in the workshop or on the waiting list. Thank you so much in your overwhelming interest in this event. 

Margaret Ross's workshop is open to UC Berkeley undergraduate and graduate students at all stages of poetry ability including English or Comparative Literature majors, creative writing minors, creative writers who are not poets, students who write poetry while majoring in other studies, secret poets, and those just starting out.

Workshop is capped at 25 students.
We will take a waiting list in case of cancellations.

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"In this generative workshop we’ll focus on love poems. We'll start by reading and discussing some vital examples that agitate the genre, then we'll move into writing new work." 


Margaret Ross is the author of A Timeshare (Omnidawn, 2015) and Saturday (The Song Cave, 2024). Her work has appeared in GrantaHarper’sThe Paris Review, and POETRY and has been supported by a Harper-Schmidt Fellowship, a Stegner Fellowship, and a VSC/Luce Foundation Chinese Poetry & Translation Fellowship. She is the 2026 Holloway Lecturer in the Practice of Poetry at UC Berkeley. A few of Ross's poems and reviews below, and read more at her website here.


Los Angeles Review of Books

Harper's

Fence

poets.org/Poem-a-Day

The Adroit Journal

Publishers Weekly

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SATURDAY, BY MARGARET ROSS  (The Song Cave, 2024, more info here)

"Can you imagine being seen in the way that Margaret Ross sees people and things?—that is, in the moments just before and immediately after everyone else sees you, if they do, including you? It would be terrifying, denuding, and yet it would be exhilarating, metamorphosizing. Because her attention reveals life’s true, unconscious composition, including its perpetual search of how to compose itself. Saturday is this, is witness to the interstitial, is slapstick melancholy, is the meticulous revision of the unrevisable rough draft of living, is 'trying to get down under the immortal dailiness / and touch the myth beneath the fiction." 

Brandon Shimoda
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A TIMESHARE, BY MARGARET ROSS  (Omnidawn, 2015, more info here)