Ocean Vuong, with Townsend Center

Photo: Tom Hines

April 5, 2024
National Poetry Month

Townsend Center Presents: Ocean Vuong

in conversation with Cathy Park Hong

Avenali Lecture

Thursday, Apr 4, 2024 5:00 pm | BAMPFA


Poetry Reading

Friday, Apr 5, 2024 5:00 pm | BAMPFA

Co-sponsored by the Arts Research Center

Presented by the Townsend Center for the Humanities in partnership with BAMPFA, co-sponsored by ARC.


Ocean Vuong, poet, MacArthur Fellow, and author of the celebrated novel On Earth We're Briefly Gorgeous, is the 2023-24 Avenali Chair in the Humanities. He will be participating in two events on campus: on Thursday April 4th, he talks with poet and Berkeley faculty member  Cathy Park Hong (English) for Townsend's Avenali Lecture. On Friday April 5th, Vuong will read from his latest poetry collection, Time is a Mother, written in the aftershocks of his mother's death and in the darkest days of the pandemic. 

Vuong is the recipient of a Pushcart Prize and MacArthur Foundation "genius" grant, among other awards. His most recent poetry collection, Time is a Mother (2022), was written after the publication of his celebrated novel, On Earth We're Briefly Gorgeous. Working in the wake of his mother's death from cancer at age 51 and during the darkest days of the pandemic, Vuong returned to poetry in order to wrestle with themes of loss, trauma, and memory, both personal and societal. “I was grieving, the world was grieving, and the only thing I really had was to go back to poems," he notes.

At age two, Vuong and his family fled Vietnam, lived in a refugee camp in the Philippines, and ultimately settled in Hartford, Connecticut. His mother, who suffered childhood trauma during the Vietnam War, made her living working in a nail salon. The first in his immediate family to learn to read in any language and the only one fluent in English, Vuong felt a deep sense of linguistic responsibility toward his mother: "I have to speak for you," he imagines saying to her. "I have to speak for your pain. I have to verbalize your humanity." Time is a Mother gives voice to that imperative.

Vuong's first book of poetry, Night Sky with Exit Wounds (2016), won numerous awards including the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. In her New York Times review of Vuong's "remarkable" collection, Michiko Kakutani writes, "There is a powerful emotional undertow to these poems that springs from Mr. Vuong’s sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things. Whether he is writing about war or family or sex, there is a presentiment of loss — wrought by violence, by misunderstanding or the simple ticking of the calendar and clock."

On Thursday, April 4, for the Avenali Lecture, Vuong is in conversation with writer and Berkeley faculty member Cathy Park Hong (English), whose New York Times bestselling book of creative nonfiction, Minor Feelings: An Asian American Reckoning, was a Pulitzer Prize finalist, won the National Book Critics Circle Award for autobiography, and earned its author recognition on TIME’s 100 Most Influential People of 2021 list. Hong is also the author of poetry collections Engine EmpireDance Dance Revolution, chosen by Adrienne Rich for the Barnard Women Poets Prize; and Translating Mo'um. She is the recipient of the Windham-Campbell Prize, a Guggenheim Fellowship, and a National Endowment for the Arts Fellowship.

On Friday, April 5, Vuong will be giving a reading of his work. Vuong's first book of poetry, Night Sky with Exit Wounds (2016), won numerous awards including the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. In her New York Times review of Vuong's "remarkable" collection, Michiko Kakutani writes, "There is a powerful emotional undertow to these poems that springs from Mr. Vuong’s sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things. Whether he is writing about war or family or sex, there is a presentiment of loss — wrought by violence, by misunderstanding or the simple ticking of the calendar and clock."

Language borrowed from The Townsend Center's original post on the events. You can find that page here.