Marié Abe (Music)
Elevate your lunch break with The Loft Hour, a new year-long series that invites new arts faculty to riff on their work over lunch, in an informal conversation moderated by an ARC-affiliated faculty member. Join us in welcoming our esteemed new colleagues in music, history of art, film & media, TDPS, art practice, and English. Hosted by the Arts Research Center in our beautiful loft space, and supported by the Dean’s Office of the Division of Arts and Humanities.
We will kick off the season with an all arts welcome and open house on Sept 21 at 4pm at ARC. More info here!
The Loft Hour: Zamansele Nsele + Nicole Starosielski
in conversation with Roshanak Kheshti
Thursday, Oct 19, 2023
12 – 1pm
ARC, Hearst Field Annex D23
Elevate your lunch break with The Loft Hour, a new year-long series that invites new arts faculty to riff on their work over lunch, in an informal conversation moderated by an ARC-affiliated faculty member. The October program features Zamansele Nsele (History of Art) and Nicole Starosielski (Film & Media) in conversation with Roshanak Kheshti (TDPS).
Zamansele Nsele is Assistant Professor of Modern and Contemporary African & African Diasporic Art. She is widely published and active as a critic, journalist,and cultural organizer. Nsele’s interests in critical theories of Blackness in visual art; with a particular emphasis on the tradition of resistance art movements in the United States and South Africa. Her research interests also explore the citationality and curatorial adaptation of the Black literary tradition into visual artworks and art exhibitions
Nicole Starosielski, Professor of Film and Media, conducts research on global internet and media distribution, communications infrastructures ranging from data centers to undersea cables, and media’s environmental and elemental dimensions. Starosielski is author or co-editor of over thirty articles and five books on media, infrastructure, and environments, and teaches classes and supervises projects on digital media, environmental media, media and communications infrastructures, media history and theory, and integrated media theory and production, among other areas.
The Loft Hour: Marié Abe + Luanne Redeye
in conversation with Angela Marino
Thursday, Nov 16, 2023
12 – 1pm
ARC, Hearst Field Annex D23
Elevate your lunch break with The Loft Hour, a new year-long series that invites new arts faculty to riff on their work over lunch, in an informal conversation moderated by an ARC-affiliated faculty member. The November program features Marié Abe (Music) and Luanne Redeye (Art Practice) in conversation with Angela Marino (TDPS).
Marié Abe is a scholar of music and sound with ongoing ethnographic commitments in Japan, Okinawa, Ethiopia, and the US. Her research explores the political and affective affordances of (musical) sounds in contexts ranging from everyday life to social movements, driven by her interest in exploring how auditory culture produces social space, and how sound’s materiality and ephemerality are entangled with affect and sociality. She founded and organized the BU Global Music Festival in Boston (2018-2023), and has performed, recorded, and internationally toured with various groups, from indie pop to Ethiopian jazz and free improvisation, appearing at major venues and national and international festivals. Prior to joining Berkeley, Abe taught at Boston University and Harvard University.
Luanne Redeye is an assistant professor in the Department of Art Practice, where her works utilize a Native lens to share her experiences and perspective of navigating a modern world as a Native woman. Having grown up on the Allegany Indian Reservation in Western New York and an enrolled member of the Seneca Nation of Indians and Hawk Clan, Redeye incorporates community, family and culture into her artwork. Her collections have been exhibited at the Museum of Contemporary Native Arts, the Seneca Art & Culture Center at Ganondagan; the Institute of American Indian Arts; Saint Lawrence University; the New York State Museum; and El Museo Cultural de Santa Fe. https://luanneredeye.com.
The Loft Hour: Solmaz Sharif + Darian Longmire
in conversation with Anneka Lenssen
Thursday, Feb 22, 2024
12 – 1pm
ARC, Hearst Field Annex D23
Elevate your lunch break with The Loft Hour, a new year-long series that invites new arts faculty to riff on their work over lunch, in an informal conversation moderated by an ARC-affiliated faculty member. The February program features Solmaz Sharif (Music) and Darian Longmire (Art Practice) in conversation with Anneka Lenssen (Art History).
Solmaz Sharif Born in Istanbul to Iranian parents, Solmaz Sharif is the author of Customs (Graywolf Press, 2022) and Look (Graywolf Press, 2016), a finalist for the National Book Award. She holds degrees from U.C. Berkeley, where she studied and taught with June Jordan’s Poetry for the People, and New York University. Her work has appeared in Harper’s, The Paris Review, Poetry, The Kenyon Review, the New York Times, and others. Her work has been recognized with a “Discovery”/Boston Review Poetry Prize, Rona Jaffe Foundation Writers’ Award, and Holmes National Poetry Prize from Princeton University. She has received fellowships from the National Endowment for the Arts, Lannan Foundation, and Stanford University. She is currently the Shirley Shenker Assistant Professor of English at U.C. Berkeley. https://www.solmazsharif.com/.
Darian Longmire is a mixed media artist from Chicago IL. After moving from the Midwest to the Northeast, Darian began to combine his print based work, which explored physics, philosophy and outer space with wider ideas about time and space. Eventually discovering the close connection to sci-fi and techno-culture, his research and ideas from the past have naturally developed into a larger artistic framework. His recent explorations in the studio have been impacted by what he describes as living through a time distortion. Darian has successfully exhibited works in a number of shows including “Yelling at the sky”, curated by La Keisha Leek at The Gaylord & Donnelley Foundation in Chicago IL. (2016), “Time Camp”, curated by Black Quantum Futurism at Icebox Projects in Philadelphia PA. (2017), as well as “What is leaping in your chest?” curated by Alexandra Foradas (Mass MOCA) at Collar Works gallery in Troy, NY. (2017). https://art.berkeley.edu/darian-longmire.
The Loft Hour: Iggy Cortez + Juan David Rubio Restrepo
in conversation with Salar Mameni
Thursday, Mar 21, 2024
12 – 1pm
ARC, Hearst Field Annex D23
Elevate your lunch break with The Loft Hour, a new year-long series that invites new arts faculty to riff on their work over lunch, in an informal conversation moderated by an ARC-affiliated faculty member. The March program features Iggy Cortez (Film & Media) and Juan David Rubio Restrepo(Music) in conversation with Salar Mameni (Ethnic Studies).
Iggy Cortez is a scholar of world cinema and contemporary art whose research and teaching are broadly concerned with diasporic thought and visual culture; racialization in relation to labour and technology; and questions of sexuality, cinematic performance, and embodiment.He is currently at work on a book project entitled Wondrous Nights: Global Cinema and the Nocturnal Sensorium that explores nighttime as a conceptual and sensory threshold across recent world cinema. His writing has appeared in The Journal of Cinema and Media Studies, camera obscura, Film Quarterly, ASAP/J, caa: reviews, and several edited volumes. With Ian Fleishman, he is also the co-editor of Performative Opacity in the Work of Isabelle Huppert (Edinburgh University, 2023). He has also curated exhibitions and film series at The Slought Foundation, The Philadelphia Museum of Art, The Penn Humanities Forum and The Lightbox Center. https://filmmedia.berkeley.edu/people/iggy-cortez/.
Juan David Rubio Restrepo’s research interests include theories of the human; decolonial theory; media studies; cultural and ethnic studies; critical theory; ethnomusicology; and Latin American, Chicanx, Caribbean and African-American thought. He is currently using multi-sited archival research and auto/ethnography in his current book project, which focuses on placing the music and figure of Ecuadorian singer Julio Jaramillo in a dialogue with popular music in its literal translation. In his own creative pursuits, he has performed at Angel City Jazz Festival; Festival Internacional de la Imagen; Festival Altavoz; and the Rock al Parque and Jazz al Parque festivals. Rubio Restrepo earned his BMus in jazz studies and drumkit performance from Pontificia Universidad Javeriana in Bogotá, Colombia, before studying in California, where he received his MFA in integrated composition, improvisation, and technology from UC Irvine and Ph.D. in music with a focus on integrative studies from UC San Diego. https://artshumanities.berkeley.edu/news/juan-david-rubio-restrepo-joins-department-music-assistant-professor
The Loft Hour: Cathy Park Hong + Timmia Hearn DeRoy
in conversation with Abigail De Kosnik
Thursday, April 18, 2024
12 – 1pm
ARC, Hearst Field Annex D23
Elevate your lunch break with The Loft Hour, a new year-long series that invites new arts faculty to riff on their work over lunch, in an informal conversation moderated by an ARC-affiliated faculty member. The April program features Cathy Park Hong (English) and Timmia DeRoy (Theater, Dance, & Performance Studies) in conversation with Abigail De Kosnik.
Cathy Park Hong is a writer and poet who has published three volumes of poetry, with her creative nonfiction book Minor Feelings (2020) being both a Pulitzer Prize finalist and received the National Book Critics Circle Award for autobiography. She was also named on Time’s 100 Most Influential People of 2021 list, as well as a recipient of the Windham-Campbell Prize, the Guggenheim Fellowship, and a National Endowment for the Arts Fellowship.
A child of Korean parents, Park Hong grew up in Los Angeles before earning her B.A. from Oberlin College and MFA from Iowa Writers’ Workshop. http://cathyparkhong.com/index.html
Timmia Hearn DeRoy is a practitioner and scholar of social justice-based theatre and film. She was a founding member of the Trinidad and Tobago PRIDE Arts Festival, former Director of the School for the Arts at the Trinidad Theatre Workshop, the Caribbean’s oldest theatre company, and former Marketing Manager at the CaribbeanTales International Film Festival. She works in areas of post-colonial theater practice, transnational feminist praxis, and Disability Justice, and engages in community-oriented and social change focused theater across the Diasporas to which she belongs. Timmia’s directing credits include 10,000: A One-Woman New Play Development by Victoria Taurean (2020) at the Lawrence Arts Center, In the Blood by Suzan-Lori Parks (2019) at the KU University Theatre, an original I Am One musical comedy called Buss de Mark (2016) which premiered at the PRIDE Arts Festival in Trinidad, and more. Timmia holds a Ph.D. and an M.A. in Theatre and Performance Studies from the University of Kansas, and a B.A. in Theatre Studies from Yale University. You can see her work at TimmiaHearn.com.