F2024 Artist-in-Residence Amanda Strong, with Bracken Hanuse Corlett

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Artist-in Residence Amanda Strong

young woman standing with her back to viewers in a field of flowers

Film still from Inkwo, Amanda Strong 2024

Man with a beard in front of read and white abstract mural painting

Visiting Artist Bracken Hanuse Corlett

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Film still from Inkwo, by Amanda Strong 2024

Fall 2024 ARC Artist-in-Residence
Amanda Strong

with Visiting Artist Bracken Hanuse Corlett

October 30 at 7pm – Film Screening & Talk Back, BAMPFA (tickets here)

November 1 at 4pm – Artist Talk: Amanda Strong + Bracken Hanuse Corlett, BAMPFA (tickets here)

plus class & studio visits

Read the interview with Amanda Strong in Berkeley News!


Amanda Strong will be the Arts Research Center's Artist-in Residence for fall 2024. Strong is a Canadian Screen Award and Emmy nominated director, artist, stop motion storyteller and has served as a media based artist for nearly 20 years. With a cross-discipline focus, common themes of her work are reclamation of Indigenous histories, lineage, language and culture. She is Michif/Red River Métis and is a member of the MMF (Manitoba Métis Federation). Strong is the owner, producer and director of the Vancouver based animation studio Spotted Fawn Productions Inc. (SFP) where they create stop motion animations, books, installations and explore digital technologies that compliment the hand made art of stop motion. She is also a director at Atomic Cartoons where she is the current director of Emmy nominated 2D animated TV series, Molly of Denali, on PBS. Under her direction, SFP utilizes a multi-layered approach and unconventional methods that are centered in collaboration on all aspects of their work. With each production, SFP’s foundation focuses on process, learning, collaboration and collective making, while uplifting and creating space, training, resources, and skills development  for Indigenous, BIPOC, LGTBQT2S+ and emerging artists. Strong’s work has been screened and exhibited across the globe, most notably at Cannes, TIFF, TIFF Top 10, VIFF, OIAF, Museum of Anthropology, The Academy Museum of Motion Pictures, and the National Museum of American History. She has received grants from the Canada Council for the Arts, Ontario Arts Council, BC Arts Council and the NFB. Amanda was selected as the First Canadian Director and first Animated Project for the Sundance Institute Indigenous Filmmaking Lab for her latest film Inkwo For When the Starving Return, which has acquired the talents of world renowned artists and collaborators from past stop motion features (Coraline, Paranorman, Corpse Bride, Wendell and Wild, and Guillermo Del Toro’s Pinocchio). The film is set to have its World Premiere at TIFF 2024. She is currently developing her first stop motion feature film. Strong received a BAA in Interpretative Illustration and a Diploma in Applied Photography from the Sheridan Institute.  

Amanda will be joined during her residency at Berkeley by Bracken Hanuse Corlettan interdisciplinary artist from the Wuikinuxv and Klahoose Nations. He works in painting, sculpture, audio-visual performance, digital art/design, animation and narrative. He graduated from the En'owkin Centre of Indigenous Art and went to Emily Carr University of Art and Design. He also trained at the Hunt Studio with renowned Heiltsuk artists Bradley Hunt and his sons Shawn and Dean. A recent winner of the 2022 Portfolio Prize and the 2022 Joseph S. Stauffer Prize in Visual Arts, he maintains a studio and collaborative practice working with ancestral forms and new media. He has exhibited, screened and/or performed locally and internationally with some notable work at VIFF, Vancouver Art Gallery, Winnipeg Art Gallery, TIFF, and the Institute of Modern Art. 


Presented by the Arts Research Center in collaboration with the Berkeley Art Museum & Pacific Film Archive, with support from the Dean's Office of the Division of Arts & Humanities, and co-sponsored by the Berkeley Center for New Media, the Departments of Art Practice, Film & Media, and Ethnic Studies, the Native American Studies Program, the Canadian Studies Program, and the Joseph A. Myers Center for Research on Native American Issues

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Program of Events

Through acts of reclamation and collaboration we are telling our own stories, in our own voice, lifting up and empowering the future of Indigenous storytelling in film.

- Spotted Fawn Productions

Stop-Motion Storyteller: Film Screening & Talk Back 

Wed October 30th at 7pm, Osher Theater, BAMPFA
*TICKETS HERE ($5 students)
Over the past decade, Michif (Métis) artist Amanda Strong has created an exceptional collection of animated films depicting Indigenous realities, stories, and dreams to build a compelling cinematic counterpoint challenging colonial histories of Indigenous peoples. Using stop-motion techniques to animate meticulously crafted three-dimensional puppets and objects, Strong creates magical worlds—uncanny mirrors to our own—in which her stories unfold. This program, presented in collaboration with the Berkeley Art Museum and Pacific Film Archive, represents an extensive retrospective of her work and includes her collaborations with Wuikinuxv and Klahoose artist Bracken Hanuse Corlett, her partner in life and art. Following the films, Amanda and Bracken will join BAMPFA film curator Kate MacKay for a short talk-back. Films include:
Indigo, Amanda Strong, Bracken Hanuse Corlett  2014, 8 mins 
Mia', Amanda Strong, Bracken Hanuse Corlett , 2015, 8 mins
Ghost Food,  Bracken Hanuse Corlett,  2017, 4 mins 
Hipster Headdress, Amanda Strong, 2016, 1 min PSA
Four Faces of the Moon, Amanda Strong, 2016, 14 mins 
How to Steal a Canoe, Amanda Strong, 2016, 4 mins 
Flood, Amanda Strong, 2017, 5 mins
Biidaaban (The Dawn Comes) Amanda Strong, 2017, 20 mins
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FILM SCREENING COST:
$5 UC Berkeley students
$8 BAMPFA members
$10 Discount admission—UC Berkeley faculty & staff, Non-UC Berkeley students, disabled visitors, 65+, 18 & under
$14 General admission

Artist Talk: Amanda Strong + Bracken Hanuse Corlett

Fri November 1st at 4pm, Osher Theater, BAMPFA
*TICKETS HERE (Cal1Card holders reserve free tickets at link!)

Award-winning animators and multimedia Indigenous artists Amanda Strong (Michif) and Bracken Hanuse Corlett (Wuikinuxv and Klahoose) share insights and a behind-the-scenes look at the creation of their films, including their current project Inkwo For When the Starving Return—nine years in the making and now on the cusp of its world premiere—and their frequent collaborations. Following their artist talk, Amanda and Bracken will be in conversation with ARC Director Beth Piatote. This artists’ talk is co-presented by the Berkeley Art Museum and Pacific Film Archive and it is the perfect way to start off Native American Heritage Month. 

ARTIST TALK COST:
Free for Berkeley Cal1Card holders (student, faculty, staff) & BAMPFA members
$10 Discount admission—Non-UC Berkeley students, disabled visitors, 65+, 18 & under
$14 General admission


Class & Studio Visits

Thursday Oct 31st and Friday Nov 1st, UC Berkeley 


Event Accessibility

If you have any questions about accessibility or require accommodations to participate in the events at BAMPFA on October 30th and November 1st, please email bampfa@berkeley.edu or call them at (510) 642-1412 (during open hours) with as much advance notice as possible. More information on accessibility services.

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Collage of a panel discussion with speakers on stage, microphones, and a large screen displaying visuals.
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"Four Faces of the Moon" - Canada's dark colonial past | Animated Short Doc

Four Faces of the Moon is an animated documentary and personal story told through the eyes of director and writer Amanda Strong. It follows the journey of an Indigenous photographer as she travels through time, witnesses moments in her family's history — including the impact and legacy of the railways, the slaughter of the buffalo, and colonial land policies — and strengthens her connection to her Metis, Cree and Anishnaabe ancestors. It contains no English language, relying on sound, image and Indigenous voice to tell the story.

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film set of a kitchen for stop motion animation bathed in red light
Spotted Fawn Productions (SFP) was founded in 2010 and incorporated in 2014 by Michif Owner/Director/Producer Amanda Strong. Indigenous-led and community-oriented, SFP’s focus is on illustration, stop motion, 2D, 3D and virtual reality animations. Our mission is to provide mentorship and training opportunities for emerging and diverse artists.  We do this by creating space for Indigenous people, women and non-binary individuals to engage in the many aspects of film, animation and production.  Together we create innovative, layered digital projects with compelling characters, art and stories.  Through acts of reclamation and collaboration we are telling our own stories, in our own voice, lifting up and empowering the future of Indigenous storytelling in film. SFP works are celebrated globally in festivals, installations, Indigenous community presentations and have received numerous awards. Our work can be seen online, television, in festivals and in galleries and museums. SFP is located on the traditional, ancestral, and unceded territories of the ʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) First Nations, colonially known as Vancouver, BC. Together we can create innovative, layered digital projects with compelling characters, art and stories.
Person in black hoodie in front of a stage with two figures and woods

Amanda Strong on set.

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girl bent over in a landscape of mechanical parts and gears

Still from Indigo, directed and produced by Amanda Strong and Bracken Hanuse Corlett

Stop motion is a demanding medium –

even a short 20-minute production can take up to two years to be completed. The technology we engage is a unique and innovative hybrid of digital and handmade processes. It’s the instrument through which we convey stories that are both emotionally and socially transformative. 

To do full justice to the stories we tell, SFP’s production process across the various media we work in is careful, painstaking and rigorous. Embedded in our process, from gestation to post-production, are Indigenous ideologies around learning, creation and collaboration. The process requires teamwork, patience, flexibility and creativity.

– FRAME SOVEREIGNTY COLLECTIVE
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Still from Ghost Food, by Bracken Hanuse Corlett

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