Ilya Y. Rostovtsev was an ARC Fellow in Spring 2015 – he was chosen in the Graduate Fellow category.
Ilya Y. Rostovtsev is a membrane shaker, wind maker, sound lover, pixel pusher, geometry enthusiast. He is an undergrad in math, has a PhD in music, and now a job in software engineering. Rostovtsev is Russian-Texan-Californian-Washingtonian, and still a quarter Lithuenian. He works to help you make art things, tunes, flashing lights, bleeps and bloops, pixel dances, and other things boring grownups claim is a waste of time.
On October 14th, ARC presented the Internet Tour with the Berkeley Center for New Media (BCNM), led by Alex Saum-Pascual, Poet and Assoc Professor of Contemporary Spanish Literature and New Media, and created with Mario Santamaría, Visual Artist and Lecturer, BAU, College of Arts and Design of Barcelona. With the participation of Asma Kazmi, Research-Based Artist and Associate Professor of Art Practice, the Fall 2024 Class of Questioning New Media...
Scott Tsuchitani (he/they) is a San Francisco-based visual and media artist and feminist cultural studies scholar. Scott’s art practice-as-research explores how tactical public and online art intervention can transform racial common sense, with a focus on the public museum. His interventions have impacted racial discourse through the generation of dialogue and debate in social and mainstream media, as well as academic press. Scott’s work has been shown in museums and galleries in 12 states, presented in Europe and Asia, and published in academic books and journals in...
UCSC professor Warren Sack's "The Software Arts" argues that computing grew out of the arts. This argument will be a provocation for some, especially for those who see a bright line dividing the “two cultures” of the arts and the sciences. For others, the argument will not seem provocative at all. Important computer scientists have argued that computing is not a science, software is a literature, and computer programming is a kind of essay writing. For those who see no clear distinction between the arts and the sciences, The Software Arts will be an old saw with some new teeth. .
made@berkeley Change and Stillness: Bodies and Gestures within Sensor Technology Friday, April 22, 2016 2 Sessions: 12:30pm-2:00pm or 2:30pm-4:00pm Zellerbach Playhouse, UC Berkeley
A collaboration with Theater, Dance and Performance Studies; Cal Performances; Berkeley Center for New Media; Center for New Music and Audio Technologies; Music; Art Practice; and the ARC | Arts + Design Initiative, Change and Stillness is part open lab, part talk, and part live demonstration. This event will showcase the multi-disciplinary art making processes that...
Art, Activism, and Technology: The 50th Anniversary of the Free Speech Movement
Berkeley’s Art, Technology, and Culture Colloquium is an internationally recognized forum for presenting new ideas that challenge conventional wisdom about art, technology, and culture. This series, free of charge and open to the public, presents artists, writers, curators, and scholars who consider contemporary issues at the intersection of aesthetic expression, emerging technologies, and cultural history, from a critical perspective. For the first time ever, the 2014/15 lecture series will be co-presented by...
Reality Environments: Persons as Things, Things as Persons Jose Carlos Martinat and Kiko Mayorga Art, Technology, and Culture Colloquium April 6, 2015, 7:30-9:00pm The David Brower Center, Berkeley CA
Art, Technology, & Culture Colloquium 2016-2017: Global Circulations 2016 talks took place at 6:30pm in the Banatao Auditorium, Sutardja Dai Hall, UC Berkeley, CA 2017 talks took place at 6:30pm in the Osher Auditorium, BAMPFA, Berkeley CA
Berkeley’s Art, Technology, and Culture Colloquium is an internationally recognized forum for presenting new ideas that challenge conventional wisdom about art, technology, and culture...
Mapping as ResearchTrevor Paglen in conversation with Julia Bryan-Wilson and book launchTuesday, April 24, 2018 Osher Theater, Berkeley Art Museum and Pacific Film Archive, UC Berkeley
