Day With(out) Art | Visual AIDS Screening
Tuesday, December 1
This event will take place online
Please check later for the link
On December 1, 2020, Visual AIDS will commemorate the thirtieth anniversary of Day With(out) Art with seven newly commissioned videos by Shanti Avirgan, Nguyen Tan Hoang, Carl George, Viva Ruiz, Iman Shervington, Jack Waters, and Derrick Woods-Morrow. These artists will consider the continuing presence of HIV/AIDS in the contemporary moment while revisiting resonant cultural histories of art and activism from the past three decades.
In 1989, Visual AIDS organized the first Day Without Art, a call to the art world for mourning and action in response to the AIDS crisis. Every year since, Visual AIDS has coordinated and publicized events at museums, universities, and arts organizations to highlight the ongoing urgency of the epidemic.
About Day With(out) Art: In 1989, in response to the worsening AIDS crisis and coinciding with the World Health Organization’s second annual World AIDS Day on December 1, Visual AIDS organized the first Day Without Art. A committee of art workers (curators, writers, and art professionals) sent out a call for “mourning and action in response to the AIDS crisis” that would celebrate the lives and achievements of lost colleagues and friends; encourage caring for all people with AIDS; educating diverse publics about HIV infection; and finding a cure. Since 2010, Visual AIDS has worked with artists and filmmakers to internationally distribute videos to museums, art institutions, schools and AIDS organizations. ARC is honored to participate in Day With(out) Art for the third year in a row. We hope you will join us this December 1.
About the Visual Activism series: How has visual culture played a role within the social movements of the last several decades, such as #BlackLivesMatter and Extinction Rebellion? How, we might ask, is activism made visible; how does it erupt (or disappear) with collective fields of vision? Drawing upon Black South African queer photographer Zanele Muholi’s term “visual activism” as a flexible rubric that encompasses both formal practices and political strategies, this series interrogates visual cultures of dissent, resistance, and protest.
This event is co-sponsored by the California College of the Arts. Visual Activism is sponsored in part by a Creative Discovery Grant from UC Berkeley’s Arts + Design Initiative.