Tuesday, October 20
This talk will take place online
Please check later for the link
Michael Rakowitz is an artist living and working in Chicago. His work has appeared in venues worldwide including dOCUMENTA (13), P.S.1, MoMA, MassMOCA, Castello di Rivoli, Palais de Tokyo, the 16th Biennale of Sydney, the 10th and 14th Istanbul Biennials, Sharjah Biennial 8, Tirana Biennale, National Design Triennial at the Cooper-Hewitt, Transmediale 05, FRONT Triennial in Cleveland, and CURRENT:LA Public Art Triennial. He has had solo projects and exhibitions with Creative Time, Tate Modern in London, MCA Chicago, Lombard Freid Gallery and Jane Lombard Gallery in New York, SITE Santa Fe, Galerie Barbara Wien in Berlin, Rhona Hoffman Gallery in Chicago, Malmö Konsthall, Tensta Konsthall, and Kunstraum Innsbruck. He is the recipient of the 2020 Nasher Prize; the 2018 Herb Alpert Award in the Arts; a 2012 Tiffany Foundation Award; a 2008 Creative Capital Grant; a Sharjah Biennial Jury Award; a 2006 New York Foundation for the Arts Fellowship Grant in Architecture and Environmental Structures; the 2003 Dena Foundation Award, and the 2002 Design 21 Grand Prix from UNESCO. He was awarded the Fourth Plinth commission in London’s Trafalgar Square, on view through 2020. A survey of Rakowitz’s work traveled from Whitechapel Gallery in London, to Castello di Rivoli Museo d’Arte Contemporanea in Torino, and is currently on view at The Jameel Arts Centre in Dubai. Rakowitz is Professor of Art Theory and Practice at Northwestern University, and is represented by Rhona Hoffman Gallery, Chicago; Jane Lombard Gallery, New York; and Barbara Wien Galerie, Berlin.
Image credit: Michael Rakowitz. The invisible enemy should not exist (Lamassu of Nineveh). 2018.
About the Visual Activism series: How has visual culture played a role within the social movements of the last several decades, such as #BlackLivesMatter and Extinction Rebellion? How, we might ask, is activism made visible; how does it erupt (or disappear) with collective fields of vision? Drawing upon Black South African queer photographer Zanele Muholi’s term “visual activism” as a flexible rubric that encompasses both formal practices and political strategies, this series interrogates visual cultures of dissent, resistance, and protest.
This talk is supported by the International Consortium of Critical Theory Programs with support from the Andrew W. Mellon Foundation and the Vice Chancellor for Research at the University of California, Berkeley. Visual Activism is sponsored in part by a Creative Discovery Grant from UC Berkeley’s Arts + Design Initiative.