Living Time: Art and Life After ‘Art-Into-Life’: Karin Sanders
At Living Time, I want to contemplate recent questions raised by museum theorists about permanency and the perils of musealization by considering the use of a particular and rather mundane substance: ice. How does this transient material function in the form of sculpture? Can institutional walls regulate the fickleness of Ice Art? Can Ice Art be placed somewhere between museumphobia and museumania?
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