Tag Archives : confessions


Curating People: Lisa Wymore

Confessions of an experimental artist who has also become an academic and a dance/performance educator and mentor
Like many who are part of this symposium, I wear multiple hats in one day. I am both an administrator of a dance program within a university and an artist who manages, runs, and creates for my own dance company. My choice to make artistic work within an academic institution has provided me with distinct types of support and opportunity. I can make work with students and improve upon my own artistic process. I can educate about dance and deepen my understanding of dance practice and pedagogy.

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Curating People: Kristan Kennedy

I do not come to this symposium with a pedigree. Somehow through hard work and the investigation of ideas, I have gotten to where I am today. I am an artist who also calls herself a curator. I sit within an institution working on behalf of artists. I also attempt to teach, to write, to arrange objects and humans – in rooms and in theaters and in storefronts and on the street. In my role at PICA I have often said yes. I have rarely had to say no. This feels like a privilege. I want to pass that along to the artists I work with. I want them to feel free to make what they want how they want where they want.

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Curating People: David Henry

Over the past 30 years I have worked in five different art museums including one photography museum, two encyclopedic museums, and two modern/contemporary museums. I came to the field through the back door—a government grant to better engage visitors gave me and three fellow MFA students our first museum jobs – – leading tours and creating public programs.When the grant ended I went behind the scenes in a different museum as a preparator and curatorial assistant.

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Curating People: Shannon Jackson

Alright, this a broad-stroked exercise that reduces the terms that precede and follow both sides of the “turn.” And of course, I would not want to say that I have concretely left one kind of position and concretely entered another kind of position. But the exercise does allow me to say a bit more about what it means to come to the question of Curating People as someone who first studied theater and wrote a first book on social reform history.

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